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Description
the kind. I
wish the bottom of _this_ fortress was solid rock.”
“_Jim_ don't know nobody in China.”
“What's _that_ got to do with it? Neither did that other fellow. But
you're always a-wandering off on a side issue. Why can't you stick to
the main point?”
“All right--I don't care where he comes out, so he _comes_ out; and Jim
don't, either, I reckon. But there's one thing, anyway--Jim's too old to
be dug out with a case-knife. He won't last.”
“Yes he will _last_, too. You don't recko
Details
been originally conceived by any poet, nor, if realized by him,
transmitted with assurance to posterity. The absence of easy and
convenient writing, such as must be indispensably supposed for long
manuscripts, among the early Greeks, was thus one of the points in Wolf's
case against the primitive integrity of the Iliad and Odyssey. By Nitzsch,
and other leading opponents of Wolf, the connection of the one with the
other seems to have been accepted as he originally put it; and it has been
considered incumbent on those who defended the ancient aggregate character
of the Iliad and Odyssey, to maintain that they were written poems from
the beginning.
"To me it appears, that the architectonic functions ascribed by Wolf to
Peisistratus and his associates, in reference to the Homeric poems, are
nowise admissible. But much would undoubtedly be gained towards that view
of the question, if it could be shown, that, in order to controvert it, we
were driven to the necessity of admitting long written poems, in the ninth
century before the Christian aera. Few things, in my opinion, can be more
improbable; and Mr. Payne Knight, opposed as he is to the Wolfian
hypothesis, admits this no less than Wolf himself. The traces of writing
in Greece, even in the seventh century before the Christian aera, are
exceedingly trifling. We have no remaining inscription earlier than the
fortieth Olympiad, and the early inscriptions are rude and unskilfully
executed; nor can we even assure ourselves whether Archilochus, Simonides
of Amorgus, Kallinus, Tyrtaeus, Xanthus, and the other early elegiac and
lyric poets, committed their compositions to writing, or at what time the
practice of doing so became familiar. The first positive ground which
authorizes us to presume the existence of a manuscript of Homer, is in the
famous ordinance of Solon, with regard to the rhapsodies at the
Panathenaea: but for what length of time previously manuscripts had
existed, we are unable to say.
"Those who maintain