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lone wolf
lone wolf
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which
interval is dramatised, as it were, either by a temporary
continuation of the previous narrative, or by fixing attention for a
while on some new transaction, at the close of which the further
account of the mission is resumed."
168 --_With tablets sealed._ These probably were only devices of a
hieroglyphical character. Whether writing was known in the Homeric
times is utterly uncertain. See Grote, vol ii. p. 192, sqq.
169 --_Solymaean crew,_ a peo
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animation could not be so hideous as that wretch. I
had gazed on him while unfinished; he was ugly then, but when those
muscles and joints were rendered capable of motion, it became a thing
such as even Dante could not have conceived.
I passed the night wretchedly. Sometimes my pulse beat so quickly and
hardly that I felt the palpitation of every artery; at others, I nearly
sank to the ground through languor and extreme weakness. Mingled with
this horror, I felt the bitterness of disappointment; dreams that had
been my food and pleasant rest for so long a space were now become a
hell to me; and the change was so rapid, the overthrow so complete!
Morning, dismal and wet, at length dawned and discovered to my
sleepless and aching eyes the church of Ingolstadt, its white steeple
and clock, which indicated the sixth hour. The porter opened the gates
of the court, which had that night been my asylum, and I issued into
the streets, pacing them with quick steps, as if I sought to avoid the
wretch whom I feared every turning of the street would present to my
view. I did not dare return to the apartment which I inhabited, but
felt impelled to hurry on, although drenched by the rain which poured
from a black and comfortless sky.
I continued walking in this manner for some time, endeavouring by
bodily exercise to ease the load that weighed upon my mind. I
traversed the streets without any clear conception of where I was or
what I was doing. My heart palpitated in the sickness of fear, and I
hurried on with irregular steps, not daring to look about me:
Like one who, on a lonely road,
Doth walk in fear and dread,
And, having once turned round, walks on,
And turns no more his head;
Because he knows a frightful fiend
Doth close behind him tread.
[Coleridge’s “Ancient Mariner.”]
Continuing thus, I came at length opposite to the inn at which the various
diligences and carriages usually stopped. Here I paused, I knew not why;
but I remained some minu