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what had already been written; and when it closed,
Elizabeth, in the solitude of her chamber, had to meditate upon
Charlotte's degree of contentment, to understand her address in guiding,
and composure in bearing with, her husband, and to acknowledge that it
was all done very well. She had also to anticipate how her visit
would pass, the quiet tenor of their usual employments, the vexatious
interruptions of Mr. Collins, and the gaieties of their intercourse with
Rosings. A lively imagination so
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Mars, or Mavors, according to his Thracian
epithet. Hence "Mavortia Moenia."
183 --_Grimly he smiled._
"And death
Grinn'd horribly a ghastly smile."
--"Paradise Lost," ii. 845.
"There Mavors stands
Grinning with ghastly feature."
--Carey's Dante: Hell, v.
184 "Sete o guerrieri, incomincio Pindoro,
Con pari honor di pari ambo possenti,
Dunque cessi la pugna, e non sian rotte
Le ragioni, e 'l riposo, e de la notte."
--Gier. Lib. vi. 51.
185 It was an ancient style of compliment to give a larger portion of
food to the conqueror, or person to whom respect was to be shown.
See Virg. Ćn. viii. 181. Thus Benjamin was honoured with a "double
portion." Gen. xliii. 34.
186 --_Embattled walls._ "Another essential basis of mechanical unity in
the poem is the construction of the rampart. This takes place in the
seventh book. The reason ascribed for the glaring improbability that
the Greeks should have left their camp and fleet unfortified during
nine years, in the midst of a hostile country, is a purely poetical
one: 'So long as Achilles fought, the terror of his name sufficed to
keep every foe at a distance.' The disasters consequent on his
secession first led to the necessity of other means of protection.
Accordingly, in the battles previous to the eighth book, no allusion
occurs to a rampart; in all those which follow it forms a prominent
feature. Here, then, in the anomaly as in the propriety of the
Iliad, the destiny of Achilles, or rather this peculiar crisis of
it, forms the pervading bond of connexion to the whole poem."--Mure,
vol. i., p. 257.
187 --_What cause of fear,_ &c.
"Seest thou not this? Or do we fear in vain