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Description
field.
Both armies start, and trembling gaze around;
And earth and heaven re-bellow to the sound.
As vapours blown by Auster's sultry breath,
Pregnant with plagues, and shedding seeds of death,
Beneath the rage of burning Sirius rise,
Choke the parch'd earth, and blacken all the skies;
In such a cloud the god from combat driven,
High o'er the dusky whirlwind scales the heaven.
Wild with his pain, he sought the bright abodes,
There sullen sat beneath the sire of gods,
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unemployed metal--gold, copper, and iron are stored up in the
treasure-chamber of Odysseus and other chiefs. Coined money is
unknown in the Homeric age--the trade carried on being one of barter.
In reference also to the metals, it deserves to be remarked, that
the Homeric descriptions universally suppose copper, and not iron,
to be employed for arms, both offensive and defensive. By what
process the copper was tempered and hardened, so as to serve the
purpose of the warrior, we do not know; but the use of iron for
these objects belongs to a later age."--Grote, vol. ii. p. 142.
164 --_Oh impotent,_ &c. "In battle, quarter seems never to have been
given, except with a view to the ransom of the prisoner. Agamemnon
reproaches Menelaus with unmanly softness, when he is on the point
of sparing a fallen enemy, and himself puts the suppliant to the
sword."--Thirlwall, vol. i. p. 181
165 "The ruthless steel, impatient of delay,
Forbade the sire to linger out the day.
It struck the bending father to the earth,
And cropt the wailing infant at the birth.
Can innocents the rage of parties know,
And they who ne'er offended find a foe?"
Rowe's Lucan, bk. ii.
166 "Meantime the Trojan dames, oppress'd with woe,
To Pallas' fane in long procession go,
In hopes to reconcile their heav'nly foe:
They weep; they beat their breasts; they rend their hair,
And rich embroider'd vests for presents bear."
Dryden's Virgil, i. 670
167 The manner in which this episode is introduced, is well illustrated
by the following remarks of Mure, vol. i. p.298: "The poet's method
of introducing his episode, also, illustrates in a curious manner
his tact in the dramatic department of his art. Where, for example,