the white chalk, or whatever it was, underneath. This table had a cover made out of beautiful oilcloth, with a red and blue spread-eagle painted on it, and a painted border all around.  It come all the way from Philadelphia, they said.  There was some books, too, piled up perfectly exact, on each corner of the table.  One was a big family Bible full of pictures.  One was Pilgrim's Progress, about a man that left his family, it didn't say why.  I read considerable in it now and then.  The statements was interesting, but tough.  Another was Friendship's Offering, full of beautiful stuff and poetry; but I didn't read the poetry.  Another was Henry Clay's Speeches, and another was Dr. Gunn's Family Medicine, which told you all about what to do if a body was sick or dead.  There was a hymn book, and a lot of other books.  And there was nice split-bottom chairs, and perfectly sound, too--not bagged down in the middle and busted, like an old basket. They had pictures hung on the walls--mainly Washingtons and Lafayettes, and battles, and Highland Marys, and one called “Signing the Declaration.” There was some that they called crayons, which one of the daughters which was dead made her own self when she was only fifteen years old.  They was different from any pictures I ever see before--blacker, mostly, than is common.  One was a woman in a slim black dress, belted small under the armpits, with bulges like a cabbage in the middle of the sleeves, and a large black scoop-shovel bonnet with a black veil, and white slim ankles crossed about with black tape, and very wee black slippers, like a chisel, and she was leaning pensive on a tombstone on her right elbow, under a weeping willow, and her other hand hanging down her side holding a white handkerchief and a reticule, and underneath the picture it said “Shall I Never See Thee More Alas.”  Another one was a young lady with her hair all combed up straight to the top of her head, and knotted there in front of a comb like a ch