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complexion, and perfectly beautiful, and looking just like a gang
of real sure-enough queens, and dressed in clothes that cost millions of
dollars, and just littered with diamonds. It was a powerful fine sight;
I never see anything so lovely. And then one by one they got up
and stood, and went a-weaving around the ring so gentle and wavy and
graceful, the men looking ever so tall and airy and straight, with their
heads bobbing and skimming along, away up there under the tent-roof, and
every l
Details
it with Mendere, as Wood, Rennell, and
others maintain; the Mendere is 40 miles long, 300 feet broad, deep
in the time of flood, nearly dry in the summer. Dr. Clarke
successfully combats the opinion of those who make the Scamander to
have arisen from the springs of Bounabarshy, and traces the source
of the river to the highest mountain in the chain of Ida, now
Kusdaghy; receives the Simois in its course; towards its mouth it is
very muddy, and flows through marshes. Between the Scamander and
Simois, Homer's Troy is supposed to have stood: this river,
according to Homer, was called Xanthus by the gods, Scamander by
men. The waters of the Scamander had the singular property of giving
a beautiful colour to the hair or wool of such animals as bathed in
them; hence the three goddesses, Minerva, Juno, and Venus, bathed
there before they appeared before Paris to obtain the golden apple:
the name Xanthus, "yellow," was given to the Scamander, from the
peculiar colour of its waters, still applicable to the Mendere, the
yellow colour of whose waters attracts the attention of travellers.
99 It should be "his _chest_ like Neptune." The torso of Neptune, in
the "Elgin Marbles," No. 103, (vol. ii. p. 26,) is remarkable for
its breadth and massiveness of development.
100 "Say first, for heav'n hides nothing from thy view."
--"Paradise Lost," i. 27.
"Ma di' tu, Musa, come i primi danni
Mandassero a Cristiani, e di quai parti:
Tu 'l sai; ma di tant' opra a noi si lunge
Debil aura di fama appena giunge."
--"Gier. Lib." iv. 19.
101 "The Catalogue is, perhaps, the portion of the poem in favour of
which a claim to separate authorship has been most plausibly urged.
Although the example of Homer has since rendered so