off his boots and rolled up his britches, and let his legs dangle in the water, so as to be comfortable, and lit his pipe, and went to getting his Romeo and Juliet by heart.  When he had got it pretty good him and the duke begun to practice it together.  The duke had to learn him over and over again how to say every speech; and he made him sigh, and put his hand on his heart, and after a while he said he done it pretty well; “only,” he says, “you mustn't bellow out _Romeo_! that way, like a bull--you must say it soft and sick and languishy, so--R-o-o-meo! that is the idea; for Juliet's a dear sweet mere child of a girl, you know, and she doesn't bray like a jackass.” Well, next they got out a couple of long swords that the duke made out of oak laths, and begun to practice the sword fight--the duke called himself Richard III.; and the way they laid on and pranced around the raft was grand to see.  But by and by the king tripped and fell overboard, and after that they took a rest, and had a talk about all kinds of adventures they'd had in other times along the river. After dinner the duke says: “Well, Capet, we'll want to make this a first-class show, you know, so I guess we'll add a little more to it.  We want a little something to answer encores with, anyway.” “What's onkores, Bilgewater?” The duke told him, and then says: “I'll answer by doing the Highland fling or the sailor's hornpipe; and you--well, let me see--oh, I've got it--you can do Hamlet's soliloquy.” “Hamlet's which?” “Hamlet's soliloquy, you know; the most celebrated thing in Shakespeare. Ah, it's sublime, sublime!  Always fetches the house.  I haven't got it in the book--I've only got one volume--but I reckon I can piece it out from memory.  I'll just walk up and down a minute, and see if I can call it back from recollection's vaults.” So he went to marching up and down, thinking, and frowning horrible every now and then; then he would hoist up his eyebrows; next he would squeeze his hand on